SKU: FH.FLR00
ISBN 978-1-55440-288-5.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Polly Wolly Doodle Traditional American, arr. Akiko and Forrest KinneyThe Birch Tree Traditional Russian, arr. Akiko and Forrest KinneyRoyal Ceremony Alan BullardThe Cuckoo TraditionalChinese Flute Tea Paul HarrisPetite souris (Little Mouse) Thierry MassonValse des trois petits ours (Waltz of the Three Little Bears) Thierry MassonEdinburgh Castle Richard PeatTete-a-tete (Head-to-head) Marine PerezMenuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest KinneyHuron Carol 16th-century French, arr. Akiko and Forrest KinneySyrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher GunningGraceful Waltz Alan BullardSeesaw Christopher NortonLabyrinth Susan PiltchWhat Is a Day? Philip Rosseter, arr. Akiko and Forrest KinneyKojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark MrozinskiPolly Wolly Doodle Traditional American, arr. Akiko and Forrest KinneyThe Birch Tree Traditional Russian, arr. Akiko and Forrest KinneyRoyal Ceremony Alan BullardThe Cuckoo TraditionalChinese Flute Tea Paul HarrisPetite souris (Little Mouse) Thierry MassonValse des trois petits ours (Waltz of the Three Little Bears) Thierry MassonEdinburgh Castle Richard PeatTete-a-tete (Head-to-head) Marine PerezMenuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest KinneyHuron Carol 16th-century French, arr. Akiko and Forrest KinneySyrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher GunningGraceful Waltz Alan BullardSeesaw Christopher NortonLabyrinth Susan PiltchWhat Is a Day? Philip Rosseter, arr. Akiko and Forrest KinneyKojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: OU.9780193544666
ISBN 9780193544666. 10 x 7 inches.
This well-known song by Vaughan Williams is arranged here for mixed voices, with additional lower voice parts by Alan Bullard. The pastoral imagery in the lyrics is beautifully brought to life by the trademark folk-inspired melodies, fluid harmonies, and a lively piano accompaniment.
SKU: OU.9780193524651
ISBN 9780193524651. 11 x 9 inches.
For SATB unaccompanied Images of Peace is a work that encourages peace and understanding while not focussing on any particular creed or belief. Alan Bullard chooses texts from a range of sources, including the English metaphysical and pastoral traditions, and the Taoist, Jewish, and Christian traditions.
SKU: HL.14048021
6.75x10.0x0.037 inches. English.
Blest Are The Pure In Heart is a work by Alan Bullard for 2-Part Choir and Piano or Organ Accompaniment. A setting of a poem by John Keble, after whom the Oxford college is named, the piece lasts around 2 and a half minutes.
SKU: OU.9780193525634
ISBN 9780193525634. 10 x 7 inches.
The Oxford Book of Flexible Choral Songs is the perfect resource for secular choirs and singing groups who like the flexibility to perform songs in a range of combinations from unison to SATB. Each piece may be performed by a mixed choir, but is also presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers, including upper voices or men's voices alone. As well as new arrangements of existing repertoire, the collection also features newly commissioned original works, specially written for flexible forces.